Posted in Blogtober, Theatre

Blogtober Day 7: Musicals to Stream This Halloween

It’s no secret on this blog that I enjoy a good musical. The diverse range of shows we’ve been blessed with in recent years means there are a good selection of spooky shows that are the perfect shows to listen to this Halloween. All the shows on this list are available to stream on Spotify now. Saying that, I want to give The Addams Family some recognition. It would have earned a place on this list if only there was a cast recording was on Spotify (why isn’t there an album on Spotify?!).

Little Shop of Horrors

Little Shop of Horrors

Florist Seymour tackles a mysterious, wish-granting, blood-guzzling Venus flytrap in this hilarious Halloween classic. It’s got that campy take on horror that musicals do so well and the film version is an absolute Halloween classic. I nearly put it on my list of Halloween movies but I wanted to put this musical on here instead.

War of the Worlds

War of the Worlds

Ok, this isn’t really a traditional musical, it’s more like a concept album that was turned into an arena spectacle but I’m counting it as a Halloween musical because it’s got aliens in it. Martians, to be exact. Also the sound effects of the Martians communicating in the 2012 recording really do make me shudder.

Carrie

Despite an exceptionally short initial Broadway run, horrific reviews and… ergh I hate to type this… a Riverdale episode themed around it, Carrie has risen up from the ashes and is now considered to be a surprisingly good musical. Parts of it are genuinely quite creepy. I wonder if Carrie’s more recent success will introduce more Stephen King stories to the stage… It: The Musical maybe?!

Sweeney Todd

The Tim Burton film is a decent take on Stephen Sondheim’s show but, for me, listening to the original Broadway cast recording is way more sinister, especially as the film cuts out The Ballad of Sweeney Todd, arguably one of the creepiest songs in the whole show. The film’s good but the stage version is better!

Bat Out of Hell

The story itself isn’t massively Halloween-y and the songs existed before they were given the stage show treatment but there’s something about Bat Out of Hell that I just love and the title alone gives it a reason to be here. The story is a loose retelling of Peter Pan but set in a post-apocalyptic society and features songs written by Jim Steinman for the Bat Out of Hell albums.

Beetlejuice

I’ve got to be honest, I’ve not yet listened to Beetlejuice all the way through but I’ve heard enough to know I like it. Also, this show is incredibly popular right now and definitely has strong Halloween vibes so it deserved a mention. Since it’s been so big on Broadway (pre-Music Man situation anyway!) I’m hoping it might come to London soon.

The Rocky Horror Show

Speaking of shows I haven’t properly listened to but deserved a place on the list, let me also throw in this one. Look, I’ve seen the Glee episode and have heard the Time Warp plenty of times, I think that’s enough to put it here. I am determined to see The Rocky Horror Picture Show soon because it’s been on my list of films to watch for far too long. Strong Halloween vibes though, am I right?

Buried

This is a show about two people who meet speed dating and fall in love. The twist is that they’re both serial killers. There really aren’t enough shows out there that truly capture dark British humour and this show does just that. There’s also folk-sy sounding music in this one that’s different from the other shows on this list.

Bat Boy (TW: sexual assault reference)

This is one of those shows where the origin story of the show is nearly as weird as the plot itself. Bat Boy is a character created for a fake news tabloid and now he has his own spin-off musical. Bat Boy, or Edgar as he’s called in the show, goes on a quest of love, self-discovery and… well… blood in this darkly comedic musical.

Zombie Prom (TW: suicide theme)

I only just listened to this show and honestly, I’m not totally sure what I make of it yet but it’s definitely Halloween-y enough to be here and it pretty funny in places. After Toffee’s boyfriend comes back from the dead she must decide whether or not she still wants to be with him after he vows to clean up his bad boy ways in the afterlife.

Heathers (TW: suicide theme)

This is another show that is so popular it needs a mention even though I don’t think there are many musical fans that haven’t listened to this show yet. Based on the cult classic movie, this satiric musical features Veronica trying to put a stop to her boyfriend’s killing spree whilst turning her high school’s hierarchy upside down.

Honourable mentions: Wicked and The Phantom of the Opera

Both of these shows are musical theatre classics and have been running in the West End and on Broadway for ways (although whether or not Phantom is actually going to continue to run after the West End reopens is still a bit of an unanswered question right now!) but they both have some spooky themes so I wanted to include them too.

I hope you’ve now got some spooky tunes to carry you through the month. Let me know if I’ve missed any great Halloween musicals in the comments. Bye for now!

Posted in Theatre

April 2019: Current Musical Theatre Jams

There are a few tunes I’ve been enjoying a lot lately so I thought I’d do a series about some musical theatre jams I’ve loving that you should listen to as well if you haven’t yet. This series will be especially handy for me since it makes use of my annoying ability to listen to the same song over and over again for a whole month (although, often longer) before getting sick of it.

So, here a few I’ve been loving lately and they are pretty random…

My Grand Plan – The Lightning Thief

My grand plan is that I will be remembered.
My grand plan, just you wait and see.
You better wise up
‘Cause I’ll rise up.
Bring any challenge.
And someday soon someone will notice me.

Yesss Annabeth! I love this song because it’s just a girl singing about how she is a badass and she’s going to prove it after being ignored by her mum, Greek goddess Athena, all her life. You go Annabeth!

I Say No – Heathers

Let me be, let me go.
You need help I can’t provide,
I am not qualified.
This troubled teen is getting clean.
I say no.

It’s powerful and awesome and I’m so gutted I didn’t get to see this song in the show when I saw Heathers because, God damn, is this a tune. Also, Carrie Hope Fletcher’s vocals on this are so strong, she seems like a force to be reckoned with.

Inútil – In The Heights

My farmer was a farmer,
His farmer was a farmer
And you will be farmer
But I told him, ‘Papi,
I’m sorry I’m going further,
I’m getting on a plane
And I’m going to change the world someday.’
And he slapped my face.

This song has so many emotions and I just love it so much. You can really feel the anguish of Kevin as he describes what he did to break the cycle his family found themselves in and the dreams that he had for Nina seemingly falling apart by the seams. This is a beautiful song about a father who just wants the best for his family and takes every potential failure upon himself. This song is also so underrated arghh.

Bat Out of Hell – Bat Out of Hell

And the last thing I see is heart
Still beating
Still beating
Still beating
Breaking out of my body and flying away
Like a bat out of Hell.

Please could BOOH return to the West End? Please? It was so good. The incredible energy that the actors put into the production is felt so strongly just by listening to the title song. I also love Andrew Polec’s voice, he sounds so much older than he is and it’s so effortlessly rock ‘n’ roll-y, arghhh it’s just so good.

I’m Here – The Color Purple

I believe I have inside of me
Everything that I need to live a bountiful life
And all the love alive in me,
I’ll stand as tall as the tallest tree.
And I’m thankful for everyday that I’ve given,
Both the easy and hard ones I’m living.
But most of all
I’m thankful for loving who I really am.
I’m beautiful.
Yes, I’m beautiful.
And, I’m here.

Celie, girl, you are beautiful and you’re going to be fine. I love this song because it have an amazing build, an inspiring message and Cynthia Erivo’s vocals from the most recent The Color Purple cast recording are stunning. Everything about this song is just amazing to listen to and I recommend it if you ever need a motivational number to soothe your eardrums.

So, that’s it. Five songs I’ve been loving lately. I’ll have some more blog posts coming soon so stay tuned for more random musical theatre-related content. I may also have some non-musical theatre posts coming in the pipeline soon but bye for now! 😀

Posted in Theatre, TV

Riverdale’s Musical Episodes: Are They Really That Bad?

Yes.

Ok, no, let’s delve into that a bit more, but firstly a disclaimer. I don’t watch Riverdale. I watched the first season and the Carrie episode but I hadn’t seen anything between then and the Heathers episode. I don’t know much about the plot now apart from the fact there’s a cult and things are weird. Therefore, I’m not trying to hate on Riverdale. I wouldn’t ever want to hate on something I haven’t even properly seen so I promise, I’m not hating on Riverdale… I’m just hating on this one episode of Riverdale. Here’s why…

Why it doesn’t work for the show

Here’s something you might not be expecting from that opening, I actually love the idea of Riverdale doing musical episodes. Since much of the action is set in a school it makes sense for them to incorporate real musicals into the show as their school productions. However, they do seem to be going for more of a Glee-approach to the episodes where the songs aren’t always performed as part of a show-within-a-show format. Sometimes the characters will just start singing when they’re not performing or rehearsing in a they-don’t-actually-know-they’re-singing-their-feelings kind of way. This is fine in a regular musical or even just in the odd one-off musical episode. Lots of shows have managed to include a musical episode without it feeling really off, usually it’s a bit cringy but they just-about make it work because they include original songs.

Where this gets confused in Riverdale is when they try to fit the songs from one pre-existing musical into the context of what is happening in that one specific episode of the show. Which, like any TV show, needs to continue the same established storylines it’s been setting up so far. Glee worked existing songs into its story by establishing itself as a musical show from the off and including any and all songs into the show. By restricting itself to an album of 20-odd songs to choose from, especially a musical theatre album where the songs are all very specific to a certain story, the Riverdale writers have to work extra hard to fit these songs into their pre-existing narrative. This is really difficult and credit where credit’s due, they tried. The Heathers episode did see them slot Seventeen really nicely into the show where it actually felt like it fit but no other song in the show that wasn’t added in to be the characters performing in the school production really did.

For example, the fact that Archie is practicing boxing when Josie comes to speak to him doesn’t justify her singing the lines “Well whoa, you can punch real good/ You’ve lasted longer than I thought you would”. This makes sense in actual Heathers because JD is fighting Kurt and Ram. Archie is on his own, not fighting anyone when Josie walks him so how has he “lasted longer than [she] thought [he] would” exactly? He was punching the air. The air’s not likely to fight back, Josie. It just doesn’t make sense.

Why it could be good for theatre fans

Let’s go back to what I said earlier about loving the idea of Riverdale doing musical episodes for a second. I really think if the songs from Heathers were kept in the context of a school production it would be a cool way to introduce musical theatre to an audience that perhaps doesn’t know about the amazing world of musicals. I love the thought that someone might watch that episode of Riverdale and go and download the Heathers album. Getting musical theatre out there and more accessible to more people is a good thing for theatre and, in turn, a good thing for theatre fans. Despite the dodgy lyric changes and awkward singing, there’s definitely going to be at least one person who comes away from that episode wanting to hear more from Heathers.

Why it isn’t good for theatre fans

Ok, now we’re getting into the real nitty gritty. To be perfectly honest, despite what I just wrote, I don’t think the makers of Riverdale care about anything I said in my last paragraph. At all. The makers of Riverdale naturally want to get their show to a wider audience. They’ve clearly done their research and found that there is a community of fans in their target demographic who are also fans of musicals which, since the likes of Glee, Smash and Rise are no more, don’t get a chance to see their love for musicals incorporated into TV. This means Riverdale is tapping into a gap in the market and trying to pander to musical theatre fans to get them to watch their show. This would be fine if they actually seemed to sincerely care about the musicals they were adapting or wanted to pay a tribute to those that created them. You can see this level of respect for source material in Heathers the Musical itself as it’s very much a homage to the film yet still functions on its own. The Heathers Riverdale episode didn’t feel like a tribute to Heathers the Musical, Heathers the film or even of musical theatre itself. No one seemed particularly happy to be working on a musical, in fact, it almost seemed a burden for some characters. Neither was there any championing of the messages and morals that Heathers stands for.

For me, the most glaring example of this was the fact that no one in the show was cast as Martha. Why? Because none of the current Riverdale cast members could or should be cast as Martha. Not a single one of them fits the casting type because Martha is a bigger girl and the Riverdale cast are all slim. Now, arguably, this isn’t that big a deal as it’s not as if we get to see Sweetpea (I literally had to replay it to make sure I heard his name right) as JD or Archie or Reggie as Kurt and Ram. But, celebrating acceptance and tolerance of all and disregarding social hierarchies in favour of befriending each other despite our differences is such a key message in Heathers and it’s not at all in the Heathers Riverdale episode. If you’re going to include a musical, please just try to care about what the musical is trying to say to see if it’s relevant to the context you’re putting it in.

On the one hand, I could be mad that the ploy to bring the musical theatre fans in clearly worked on me because I watched the episode but equally, I’m not likely to watch another one so did they really win?

Now, please, like I said before, don’t think I’m hating on Riverdale. I’m really not. I’m annoyed at one episode of a successful show that has many fans in its own right but that doesn’t mean it can’t try harder. I know the show gets a lot of stick for being cringy and weird but, as far as I’m concerned, as long as it does that on its own turf, it’s all good. But, when it tries to take good musicals down with it, regardless of their relevancy to their own plot and without even acknowledging the key messages of the piece and celebrating musical theatre itself, that’s just sad.

Overall though, there are way worse things to get worked up about. If Riverdale does another musical episode, I just hope it’s an improvement on this one.

In other news, I miss Glee.

Posted in Theatre

Heathers the Musical Original West End Cast Recording Act 2 Mini Song Reviews

This is the second part of my last blog post where I wrote mini reviews of each song from Act One of the Heathers the Musical Original West End Cast Recording so make sure to check that out before taking a look at these Act two Reviews.

My Dead Gay Son

Honestly, this isn’t my favourite song on the original American cast album but it is quite funny and I like that it gives Nathan Amzi and Jon Boydon a chance to show their amazing comedic skills and great voices on the album.

Seventeen

More of Carrie and Jamie’s vocals together? Yes please! Again, I actually wouldn’t count Seventeen up there amongst my favourite Heathers songs but I am a big fan of both Carrie and Jamie’s voices (and Barrett Wilbert Weed and Ryan McCartan’s too!) so this is definitely nice to listen to.

Shine a Light

When I saw the show this scene was a particular highlight. The wacky nature of Rebecca Lock’s Ms Fleming and the audience interaction were fantastic. It’s a shame that the audience interaction can’t translate into the album but this song is upbeat and hilarious regardless. Love it!

Lifeboat

Anyone just want to hug McNamara when listening to this song? Sophie Isaacs has a lovely voice so it’s nice that we get her sing on her own solo. I feel like this song can feel quite relatable to many people in school and the violins (please correct me if they’re not violins!) in the music make this sound even more haunting and poignant.

Sine a Light (Reprise)

Yikes, don’t get on Duke’s bad side!

I Say No

NEW SONG Number #3! This is the only song on the album that wasn’t in the show when I saw it and I’m so sad I never got to see this performed live because since its release as a single, it’s my new favourite song! I’ve watched Carrie’s YouTube videos for a long and seen her do a lot of covers so hearing how incredible her voice sounds in this song is weirdly moving. It just feels like she’s come so far to carry a song this big with so much confidence and attack. This is also a great song for anyone in a bad situation to listen to, there’s so much power in saying no sometimes and we should never forget that.

Heathers the Musical Original West End Cats Reocridng Act Two Mini Song Reviews
What the Heathers the Musical stage looked like when I saw it at The Other Palace

Kindergarten Boyfriend

I’m not crying, you are. This was another scene that stuck out to me when I saw the show as I knew it would from having listened to the original American cast recording. Jenny O’Leary brings so much innocence to the role and her voice is so soft and sweet-sounding that it just suits Martha so well. Again, there aren’t any wild changes from the original but I’d have been really disappointed if there had been, this song is gorgeous and heartbreaking as is and it’s just great to get to see a recording of another singer’s take on it (that’s not to Katie Ladner’s version is subpar in any way, it is equally as stunning).

Yo Girl

I like the inclusion of the “that’s not my handwriting” line, Veronica sounds honestly terrified at this point. Which she probably would be, you know, considering her murderous ex-boyfriend has as-good-as told her she’s his next victim.

Meant to by Yours

Need I say again just how much I love Jamie Muscato’s voice?? This is one of my favourites on the original cast album but I think this version might have overtaken it. Gahh I just love it so so much.

Dead Girl Walking (Reprise)

I’m fan of the “Don’t talk about my mom” line, it seems to give JD a weakness we don’t hear in the original cast album. I also love Carrie’s “yeahyeahyeahhh” in this song.

I Am Damaged

“Please stand back now… little further”, I don’t know why this line always cracks me up but it does. That’s all.

Seventeen (Reprise)

I love this number in the OG recording and I love it in this one. It’s a sweet number that rounds off the show perfectly, or you could say beautifully! Just one thing I wanted to comment on though, I’m glad they changed the “take off our clothes and dance” line to “take off our shoes and dance”, the old lyric just felt a bit sexual and out-of-place for a song that’s about embracing youth and favouring friendship over hatred.

That’s it, that’s my review of the Heathersthe Musical Original West End Cast Recording. I hope you enjoyed my thoughtsand ramblings. Kevin Murphy and Laurence O’Keefe’s show is a hilarious satirethat never loses its significance even now, over 30 years since the originalfilm was released. Let’s all just hope Heathers will return to London one day.

Bye for now!

Posted in Theatre

Heathers the Musical Original West End Cast Recording Act 1 Mini Song Reviews

Greetings and salutations!

I was lucky enough to see Heathers during its run at The Other Palace, one of my favourite venues. Its small space makes it feel intimate yet the productions still feel high quality which means you always get great value for money on your ticket price. I was a bit gutted I didn’t get around to seeing it at the Haymarket (I’ve got to give my bank balance a break sometimes!). Sadly, I never got to see Carrie Hope Fletcher belt out I Say No but luckily they released a cast album so I can hear her take on Veronica whenever I like as well as the rest of the amazing original West End Heathers cast!

Here are my reviews of the songs from Act One:

Beautiful

From “September 1st 1989” straight through to that last note, I was buzzing listening to this. It’s very like the original American cast recording but it’s the introduction to the show so it makes sense for it to be the same with a few differences here and there. It’s also the first time we hear a few of the cast members’ individual vocals (which are fab!) and the ensemble singing together (also fab!).

Candy Store

Yessssss galsss, this song is just as feisty as the original American Heathers take on it and Jodie, T’Shan and Sophie’s harmonies are gorgeous. I honestly think I’d be honoured if Jodie Steele threatened me in song.

Fight For Me

Firstly, Carrie Hope Fletcher’s “daaayyuuumm” is hilarious and how her voice sounds so soft and hopeful (no pun intended) in this song suits the theme of the song so well, I love it!

Freeze Your Brain

Oh my Lord. I think I did a Carrie daaayyuuumm the first time I listened to this. Jamie Muscato’s voice is so so so smooth. I also feel like he made this song totally his own. To me at least (baring in mind I have little-to-no actual music knowledge), the way he sings this song is totally different to Ryan McCartan on the original cast recording. It’s more smooth and feels more like he’s being a bit flirty with Veronica as he’s singing which totally makes sense for the scene. And, somehow his voice STILL sounds smooth as hell when he’s singing the harsher end of the song and his last “freeze your brain” line is so… am I going to say it again?… apparently yes, for lack of a better word, smooth. The whole damn song is smooth ok. This is one of my favs from this album so sorry but I just needed to get this ramble of me.

Big Fun

~ Do I hear lyric changes? ~ “You’re a natural, just like my mom”, had me cackling. I very much approve of this new version of Big Fun.

Dead Girl Walking

Ok, so what I was saying about how The Other Palace is a small and intimate venue… yeah I felt *very* close to the actors when this scene was happening which was a… unique theatre experience let’s just say! Again, this song is fairly similar to the original but hey, you can’t improve on perfection and I like the way Carrie changes the way she sings certain parts – especially that last note. This song really reminds me of the confidence Carrie oozed on the stage in this number and the cheer from the audience which was LOUD so this one evokes memories for me.

Pictures from outside The Other Palace on the day I saw Heathers the Musical

The Me Inside of Me

The transition from Jodie’s “No one sees the me inside of me” to “Jesus, you’re making me sound like air supply” was hilarious, what a comedy queen. Also, did Ms Fleming really say, “What this song needs is a good old-fashioned rap session”? Because, I really hope so. Might just leave this one with “HOLY CRAP THIS IS AWESOME!” because, yep, same Jodie.

You’re Welcome

NEW SONG #1! Ok, so I can’t help thinking of Maui when I listen to this song but honestly I love Christopher Chung and Dominic Anderson’s vocals together in this song and, this might be a bit random, but I also love their accents in this one for some reason. They just sound so much like your classic American high school movie jocks. This is one of those songs where it makes you feel slightly uncomfortable but it’s meant to since it’s actually about a really important topic. It’s great to hear Veronica’s thought process about how she handles the situation and manages to get away. Combining comedy with genuinely serious topics is something Heathers does better than most stories and this song is a great example of that.

Never Shut Up Again

NEW SONG #2! We’ve reached the new song relay part of the album and this is when T’Shan and her fierce vocals get to rock out as the new self-elected head bitch of the school. It’s great to see Duke getting a solo in this version of Heathers as we see from both Chandler and McNamara’s points of view and it doesn’t seem right that she didn’t have her own song before. Plus, it totally makes sense that Duke would want to take the limelight for a moment as she finally has a voice after being silenced by Chandler for so long. Although, again, bit of a random thought here, but a lot of musicals make Wizard of Oz references, don’t they?

Our Love Is God

I mean, this song has a lot of Jamie’s Muscato’s vocals and we’ve established how I feel about that (should I say they’re smooth again or have we sort of got that point now?). This is the first time we really hear Carrie and Jamie properly sing together though and their voices blend so nicely it’s just so daaayyuuumm good. This song is also quite similar to the original but again, it’s a great song and scene so why change it?

Phew that’s Act one Done, read my reviews of the songs of Act Two here.