Posted in Theatre

Stunt/ Celebrity Casting in Theatre

Today I want to discuss the topic of stunt/ celeb casting in theatre so please pass me a ladder so I can get myself up onto a fence because I don’t really have a clear side on this. Sometimes it’s necessary, sometimes it’s not. Sometimes the celeb is fantastic for the role, sometimes they’re not.

            Usually celebrity casting is done in theatre to keep the show running. Most of the time, investing in theatre is a really risky affair. A lot of shows lose more money than they make and it’s not uncommon for shows to close early or sometimes not even happen at all when the ticket sales aren’t looking great. Oftentimes, the show itself, even if it is a well-known show, isn’t enough to guarantee strong enough sales figures so casting a celebrity in one of the roles (or multiple celebs in multiple roles) is a handy way to get a few more seats filled. This means some amazing shows that don’t have the advantage of being well-known already or have missed out on awards, don’t lose their audiences to other shows that are sustaining their popularity. Which, also means that if the celebrity casting can keep the show open, the people working on that show get to keep their job. This also means that there are plenty of cast and crew members who could be getting their big break in theatre world and are getting to keep a job for a significant period of time (which can be unusual for some people working in theatre. For some, moving from one project to the next with periods of unemployment is common) because the celebrity casting is keeping the show running and therefore benefitting the rest of the team working on it.

            Except, when you think about how that role is now unavailable for aspiring actors and actresses who have trained for to work in theatre and are potentially missing their chance to get a leading role that could see their career take off. Plus, sometimes the stunt casting is done purely to bring in a ‘name’ regardless of whether they’re the ideal fit for the role or not. Working in theatre is hard work, I don’t think you need to be a professional actor to see that (I’m certainly not!). So, it can be really noticeable when someone on the stage doesn’t really have the skills or training required to be there. This then can make the show suffer in its storytelling and can be especially annoying for anyone who is more of a fan of the show itself than the cast in it.

            The other issue with celebrity casting is when the celeb has a day off and the understudy fills in for them. Now, I am a big advocate for celebrating understudies. They work incredibly hard and nearly every time I’ve seen an understudy perform, they have been amazing. So, when the understudy goes on for the celeb role you’d hope the audience would appreciate they’re seeing the show and support whoever is playing the role. But, unfortunately, not everyone thinks that way. I’ve heard really nasty things said by disappointed audience members who are there to see the celeb but see the understudy instead. Ergh. I swear, people that hate on understudies are worst people in theatre and celeb casting can make these people even worse for moaning and causing a negative atmosphere. This really is another topic for another time though.

            Overall, celebrity casting is not always a bad thing. Sure, sometimes the celeb clearly wasn’t the best choice for the role and it’s kind of annoying to see the part being taken away from someone who could have done it better but equally sometimes the celebs are brilliant and manage to keep the show open by increasing ticket sales. As I said at the start, I’m really on the fence about this but would love to hear your thoughts.

            Also, this post was totally inspired by all the drama that’s been going down at Waitress in London and I just want to say another issue with stunt casting is when there’s fantastic actor or actress in a role but then suddenly they’re dropped from the production for a few months to bring in a celeb*. Not cool. #JusticeforLauraBaldwin!

 *No hate to Ashley Roberts though, this situation is definitely not her fault and I wish her all the best for her run as Dawn.

Posted in Theatre

Three Mini West End Reviews: Aladdin, Wicked and Waitress

I’ve seen a few West End shows lately so I wanted to group them all into one post and natter away about them for a little bit. Wicked is the only one of these shows I’d seen before and the Waitress tickets were a birthday surprise for my sister because I am, clearly, the best sister ever.

Overall, I thought Aladdin was bright, fun and colourful. The changes they’d made from the Disney’s animated movie (side note, even though I’m a bit over the Disney live action remakes, I am quite excited about the Aladdin movie, anyone else?) made sense and for the most part worked well. There are no animals in the show but Aladdin actually gets some real friends which is good for him. The new songs are nice but it’s the ones that come from the film that really have the entertainment factor, particularly the high-energy and genuinely spectacular Friend Like Me scene. Trevor Dion Nicholas is hilarious as the Genie, his comedic timing and stage presence lights up the stage almost as much as his glittery head.

           The World New World scene was also executed nicely even if the actors did look a little scared to be floating around the stage on a “flying carpet”. The main criticism I have for the show, however, is the way they’ve worked Jafar and Iago into the stage show. As I said, there are no animals in the show so how do they get Iago in there? Well, he’s Jafar’s pretty annoying pantomime-esque sidekick. Sure, Aladdin is a pantomime classic and Jafar is widely considered to be one of Disney’s best villains but it felt a bit too over-the-top for me. I guess, maybe I’d feel different if I’d been to see the show with kids because that, for sure, would work for them. But, not for me and considering how many adults there were in the audience, it just felt a bit much.

           Stepping away from the negatives though, this show is lively and, like I said, oh so colourful and visually spectacular. Fans of Disney will love it, families will love it, everyone else will probably enjoy it too.

How can I see it?

Aladdin is showing at the Prince Edward Theatre and booking through to July 27th (it will be closing in the coming months though so if you’re keen on seeing it, make sure you get tickets soon!)

This wasn’t my first trip to the Emerald City. Seeing Wicked again was a bit of nostalgia fest since it was the first show I ever saw on the West End back in 2014 and is now the only London show I’ve seen twice (though there are quite a few I’m desperate to see again).

           Every musical fan seems to love Wicked, there’s something about it that just transports you into a magical realm where people can say slightly cringey non-words like “braverism” without anyone batting an eyelid. What I found most exciting about seeing it again was 1. Re-realising how funny it is and 2. Getting to see the amazing cast that is currently in the show. Alice Fearn as Elphaba and Sophie Evans as Glinda are brilliant and great when they perform together.

We were sat very far back right up at the top of the dress circle but you forget you’re so far back because the belting is so damn powerful and you get a great view of the random but awesome dragon at the top of the stage.

           Whether you have or haven’t seen Wicked on the West End yet, the cheap seats at the top do actually have quite a good view so I think you should treat yourself this summer if you can.

How can I see it?

Wicked is showing at the Apollo Victoria Theatre and booking until May 2020.

I was so excited to see Waitress and it didn’t disappoint at all. It’s funny, moving and inspiring. The cast were fantastic. Katherine McPhee had such a long applause after She Used to Be Mine and rightfully so because her performance was so heart-wrenching. She was just amazing. So were her co-stars, Laura Baldwin as Dawn (who was also fab in Eugenius last year) and Charlotte Raby (who was understudying for Marisha Wallace) as Becky. Their friendship felt real to me and it was so great to see a show so focused on women’s issues and humour relating to what it’s like being a woman. I already knew I loved the songs but I didn’t realise how much I’d love the book and choreography as well. Also, I did not know how awkward and adorable Dr Pomatter is from just the songs. David Hunter was hilarious and played the lovable doctor really well.

            I got too much merch – including a Waitress cookbook even though I rarely bake but I appreciate clever merch and I’m far too tigger-happy when it comes to buying things I don’t need so I got it – and obvs bought a pie there which came in a cute little jar.

            Everything about this show was brilliant, I feel like I was grinning the whole way through. I’d recommend it to everyone I know. I feel like I’m probably as enthusiastic about this show as Ogie is about Dawn… maybe… if that’s even possible. Just, if you can, go and see it. It makes for a great feel-good evening.

How can I see it?

Waitress is showing at the Adelphi Theatre and booking through to October 19th. Go see it!

Let me know if you’ve seen any great shows lately. I already have a long list of shows to see but I’m constantly extending it anyway so feel free to give me recommendations! 😀