Posted in Blogtober, TV

Blogtober Day 19: Thoughts on Ghost Hunting TV Shows

In today’s instalment of my Halloween Blogtober series I wanted to talk about ghost hunting TV shows. Usually they’re all over the TV at this time of year and I have to admit they are a guilty pleasure watch for me.

I grew up watching Most Haunted. It was the same format each episode, Yvette Fielding, her husband Karl Beattie, a psychic medium and a production crew would investigate a supposedly haunted building at night and attempt to catch footage of a ghost in the flesh… well, in the ectoplasm, I guess. Since the show began back in 2002, it took fifteen years for a potential ghost to be caught on film by the team. Whether it really is a ghost is, of course, up for debate but the footage clearly shows a figure walking down some steps. But, if it took all that time to finally catch a ghost on camera, what has kept the show going so long? Until 2018, the show was mostly filled with odd phenomena, ranging from tapping to objects being moved, EVP recordings to spooky assessments from mediums and even the odd Ouija Board session. And honestly, it was entertaining. It was good spooky viewing, especially at Halloween and it was up to the audience whether they wanted to believe the show was genuine or not.

The thing is, you can’t really speak about Most Haunted without mentioning its controversies. Most notably this came in 2005 when an investigation into Bodmin Jail (Bodmin’s third mention this Blogtober!) saw the show’s resident psychic medium, Derek Acorah, caught lying about being possessed by the spirit of a man called Kreed Kafer. What he didn’t know was that the show’s skeptic at the time, Ciarán O’Keeffe, suspected not all Acorah’s possessions were real so he made up a fake entity, whose name is an anagram of ‘Derek faker’… ouch, and fed this information to the medium. Acorah then claimed to be possessed by this particular spook on the show. O’Keeffe came forward after the show aired and Acorah was subsequently replaced for future series.

Although the evidence is pretty damning against Acorah, I do have sympathy for the situation. When you’re making a show that thrives on the audience expecting to see some paranormal activity, there is pressure to give that to them, whether it’s real or not.

Ghost hunting shows are presented on TV as entertainment shows, they aren’t scientific documentaries. However, there is a question to be asked as to whether it is ethically ok to create shows using potentially faked evidence of the paranormal. Here’s how I see it, theres’ a fine line when it comes to ethics and the paranormal. I don’t think it’s ok to knowingly deceive an individual into thinking that you have access to a dead loved one of theirs or to ask for money for something intentionally faked. But, what’s harmful about a ghost show? It’s not picking on individuals and the only ones paying for it are the TV networks who get the viewing figures as their reward for the broadcasts. As it doesn’t really hurt individuals and, for the most part, people aren’t paying their TV licenses just to watch ghost hunting shows, I don’t think there’s any malice in them.

I should also say I’m not accusing every ghost hunting show of fakery. I feel like I can say with confidence that a lot of potentially paranormal activity captured on TV has perfectly reasonable explanations. There are some moments though that aren’t so easy to explain away. There are clips from ghost hunting shows that are truly spooky and I don’t believe are faked. That brings me back to the Most Haunted footage of the figure walking up the stairs. A big part of me wants to believe it’s real and I actually think it could be.

Whether they’re fake or not though, as I said at the start I love a good ghost hunting show and they’ll always be one of my spooky guilty pleasures. What do you think of ghost hunting shows? Let me know in the comments.

Posted in Blogtober, TV

Blogtober Day 13: The Haunting of Bly Manor Review and Discussion ***Spoilers***

I’ve just finished watching The Haunting of Bly Manor on Netflix and I have thoughts. Having watched The Haunting of Hill House about a year and a half ago I thought I knew what to expect with Bly Manor but it had a very different feel. Ultimately, I really enjoyed Bly Manor, partially because I was surprised about how different it was from Hill House.

The ending summarises the core difference between the two shows quite nicely. Whereas Hill House is a ghost story, Bly Manor is a love story. And a pretty damn sad one at that. Whereas Hill House preys on your fear by filling each episode with jump scares, Bly Manor takes a very different approach in its storytelling. Yes, there are still ghosts. Yes, there’s still a creepy old house. But, the characters that populate the show take centre stage over the ghosts in this story.

Despite the dream hopping which made all episodes from 5 onwards a bit twisted, I found Bly Manor easier to follow than Hill House. I think it had the right amount of characters, even if there were a couple of missed opportunities. For me, Uncle Henry was a character that I wanted to learn more about, his Mr Hyde figure was a fascinating edition to the story but felt a bit disconnected to everything else going on. I wish we got to understand a little more about where, when and how his split self came into his world.

Speaking of the characters though, I really enjoyed getting to know this group of people. I found each of their stories compelling and linked in seamlessly with the show’s central themes, from Owen dealing with watching his mother slip further into her dementia to Hannah’s big secret. Also, I can’t write a review of this show without saying how amazing the cast is, especially the young cast. Flora and Miles are genuinely likeable kids and it’s heartbreaking when you see how far Peter is willing to go to manipulate them into letting him and Rebecca possess them.

It’s the possession and the idea of being tucked away into memories that was really interesting for me as a viewer. There’s something unsettling about that idea of being lost in your own head and seeing both Hannah and Peter get stuck in the same memories repeatedly was the kind of psychological torment that creates a whole new level of fear. It’s not jump scares but it’s that claustrophobic feeling of not being able to leave your own mind. It’s such an fascinating concept to explore under the umbrella of horror and I thought the show did a great job with it.

Another thing I really enjoyed about this show was the throwback episode where we got a full backstory of the principle ghost of Bly Manor, Viola, and got an understanding of why she haunts in the way she does. There is true tragedy in her story and, dodgy English accent aside, I thought it was handled brilliantly. It’s not easy to pull off kind of that stepping-away-from-the-central-action-for-an-entire-episode thing but something about Viola’s story and how it filled in the mysteries still left wide open in the story was captivating for me.

The last thing I want to talk about with this show was the ending. I have to say, the ending wasn’t my favourite thing about the show. Although I liked how we discovered that Jamie was telling an adult Flora the story of how Dani saved her life without her realising it, I did think there was going to be a bigger twist. I found myself feeling really sad for Jamie and Dani’s ending even though it seemed as though there wasn’t any other conclusion left for Dani. I guess that’s just what the show is though, a much more emotional watch than Hill House because these shows, to me, are more like cousins than siblings. Trying to replicate the success of Hill House by following the same format wouldn’t have been nearly as original as Bly Manor turned out to be and I’m glad the team behind it took this approach.

What did you think of The Haunting of Bly Manor? Let me know in the comments.

Posted in Blogtober, TV

Blogtober Day 9: Halloween TV Shows

In honour of The Haunting of Bly Manor dropping on Netflix today, I thought I’d revisit some spooky TV shows I’ve enjoyed and share some from my to watch list.

The Haunting of Hill House

The Haunting of Hill House

The OG (Original Ghost) show when it comes to The Haunting series. This show spooked me well and good. I don’t think I’ve ever jumped so much at a TV show and though I’m terrified to start Bly Manor, I’m also so excited because Hill House is that good. Part of the joy of this show is finding out the deeper meanings and things you missed in the background. As soon as you know there are loads of extra ghosts in the hidden in certain shots it gets to the point where you’re not even scared when you seen them, you’re proud you managed to finally spot one. And, I’m not talking about the Break-Neck Lady here, she’s definitely an in-yer-face kind of spirit.

Stranger Things

Stranger Things

This is one of my all-time favourite shows despite not having a clue what’s happening half the time. Look, the science goes beyond me but Stranger Things is such a smart show and it’s filled with fun 80s references. It also has just the right blend of edge-of-your-seat scary scenes and heartwarming and hilarious moments. I love the whole show except for season 2, episode 7. Let’s just pretend there isn’t a season 2, episode 7, ok?

Being Human (UK version)

Being Human

Another one of my long-time faves. Being Human is a horror, comedy and drama all at once and it is glorious. The story follows a vampire, a werewolf and a ghost who all co-habit in a houseshare. There’s a little more to it than that, of course, there’s a group of vampires intent on world domination and Annie has to learn to face the man who murdered her. There’s a lot going on and it’s so addictively watchable.

Scream Queens

Scream Queens

To be honest, this is one of those shows where the first season was brilliant but it really should have ended there. If we’re just focusing on the first season though, it’s filled with horror movie references as this slasher sees a college campus deal with the murder spree of the Red Devil. It’s a show that will keep you guessing and constantly changing your mind about the identity of the killer until the final reveal and the way to the end is filled with dark humour and tense moments. It’s a must-see if you need a Halloween binge.

Ghosts

Ghosts

This BBC comedy is the perfect anti-horror Halloween watch. It’s about a couple, Alison and Mike, who inherit a stately home only for the Alison to develop the ability to see ghosts. After years of history, the house is home to several spooks from across the centuries who all have quite a lot to say about Alison and Mike’s plans for their new home.

Shows On My To Watch List (and where I’ll be watching them):

Ratched (Netflix)

Always A Witch (Netflix)

American Horror Story (Netflix)

Truth Seekers (Amazon Prime)

La Révolution (Netflix)

Buffy the Vampire Slayer (Amazon Prime)

What Halloween shows would you recommend? Let me know in the comments.

Posted in Theatre, TV

Riverdale’s Musical Episodes: Are They Really That Bad?

Yes.

Ok, no, let’s delve into that a bit more, but firstly a disclaimer. I don’t watch Riverdale. I watched the first season and the Carrie episode but I hadn’t seen anything between then and the Heathers episode. I don’t know much about the plot now apart from the fact there’s a cult and things are weird. Therefore, I’m not trying to hate on Riverdale. I wouldn’t ever want to hate on something I haven’t even properly seen so I promise, I’m not hating on Riverdale… I’m just hating on this one episode of Riverdale. Here’s why…

Why it doesn’t work for the show

Here’s something you might not be expecting from that opening, I actually love the idea of Riverdale doing musical episodes. Since much of the action is set in a school it makes sense for them to incorporate real musicals into the show as their school productions. However, they do seem to be going for more of a Glee-approach to the episodes where the songs aren’t always performed as part of a show-within-a-show format. Sometimes the characters will just start singing when they’re not performing or rehearsing in a they-don’t-actually-know-they’re-singing-their-feelings kind of way. This is fine in a regular musical or even just in the odd one-off musical episode. Lots of shows have managed to include a musical episode without it feeling really off, usually it’s a bit cringy but they just-about make it work because they include original songs.

Where this gets confused in Riverdale is when they try to fit the songs from one pre-existing musical into the context of what is happening in that one specific episode of the show. Which, like any TV show, needs to continue the same established storylines it’s been setting up so far. Glee worked existing songs into its story by establishing itself as a musical show from the off and including any and all songs into the show. By restricting itself to an album of 20-odd songs to choose from, especially a musical theatre album where the songs are all very specific to a certain story, the Riverdale writers have to work extra hard to fit these songs into their pre-existing narrative. This is really difficult and credit where credit’s due, they tried. The Heathers episode did see them slot Seventeen really nicely into the show where it actually felt like it fit but no other song in the show that wasn’t added in to be the characters performing in the school production really did.

For example, the fact that Archie is practicing boxing when Josie comes to speak to him doesn’t justify her singing the lines “Well whoa, you can punch real good/ You’ve lasted longer than I thought you would”. This makes sense in actual Heathers because JD is fighting Kurt and Ram. Archie is on his own, not fighting anyone when Josie walks him so how has he “lasted longer than [she] thought [he] would” exactly? He was punching the air. The air’s not likely to fight back, Josie. It just doesn’t make sense.

Why it could be good for theatre fans

Let’s go back to what I said earlier about loving the idea of Riverdale doing musical episodes for a second. I really think if the songs from Heathers were kept in the context of a school production it would be a cool way to introduce musical theatre to an audience that perhaps doesn’t know about the amazing world of musicals. I love the thought that someone might watch that episode of Riverdale and go and download the Heathers album. Getting musical theatre out there and more accessible to more people is a good thing for theatre and, in turn, a good thing for theatre fans. Despite the dodgy lyric changes and awkward singing, there’s definitely going to be at least one person who comes away from that episode wanting to hear more from Heathers.

Why it isn’t good for theatre fans

Ok, now we’re getting into the real nitty gritty. To be perfectly honest, despite what I just wrote, I don’t think the makers of Riverdale care about anything I said in my last paragraph. At all. The makers of Riverdale naturally want to get their show to a wider audience. They’ve clearly done their research and found that there is a community of fans in their target demographic who are also fans of musicals which, since the likes of Glee, Smash and Rise are no more, don’t get a chance to see their love for musicals incorporated into TV. This means Riverdale is tapping into a gap in the market and trying to pander to musical theatre fans to get them to watch their show. This would be fine if they actually seemed to sincerely care about the musicals they were adapting or wanted to pay a tribute to those that created them. You can see this level of respect for source material in Heathers the Musical itself as it’s very much a homage to the film yet still functions on its own. The Heathers Riverdale episode didn’t feel like a tribute to Heathers the Musical, Heathers the film or even of musical theatre itself. No one seemed particularly happy to be working on a musical, in fact, it almost seemed a burden for some characters. Neither was there any championing of the messages and morals that Heathers stands for.

For me, the most glaring example of this was the fact that no one in the show was cast as Martha. Why? Because none of the current Riverdale cast members could or should be cast as Martha. Not a single one of them fits the casting type because Martha is a bigger girl and the Riverdale cast are all slim. Now, arguably, this isn’t that big a deal as it’s not as if we get to see Sweetpea (I literally had to replay it to make sure I heard his name right) as JD or Archie or Reggie as Kurt and Ram. But, celebrating acceptance and tolerance of all and disregarding social hierarchies in favour of befriending each other despite our differences is such a key message in Heathers and it’s not at all in the Heathers Riverdale episode. If you’re going to include a musical, please just try to care about what the musical is trying to say to see if it’s relevant to the context you’re putting it in.

On the one hand, I could be mad that the ploy to bring the musical theatre fans in clearly worked on me because I watched the episode but equally, I’m not likely to watch another one so did they really win?

Now, please, like I said before, don’t think I’m hating on Riverdale. I’m really not. I’m annoyed at one episode of a successful show that has many fans in its own right but that doesn’t mean it can’t try harder. I know the show gets a lot of stick for being cringy and weird but, as far as I’m concerned, as long as it does that on its own turf, it’s all good. But, when it tries to take good musicals down with it, regardless of their relevancy to their own plot and without even acknowledging the key messages of the piece and celebrating musical theatre itself, that’s just sad.

Overall though, there are way worse things to get worked up about. If Riverdale does another musical episode, I just hope it’s an improvement on this one.

In other news, I miss Glee.